Reggie Miller's Lingo Making Kevin Harlan Sound Even More Boss
TNT NBA Analyst and color commentator Reggie Miller's ability as a broadcaster is about as smooth as his two-handed push shot during his NBA career.
The best three-point shooter in NBA history, Miller ended his comeback bid with Boston during training camp prior to the 2007-08 season to officially join the broadcast booth for TNT, after going back and forth between the two for a few years. His stint with TNT has been marred by overexaggeration, terrible descriptions and over-the-top banter with his sister Cheryl, the sideline reporter.
Sadly though, Miller remains in the booth, usually with the legendary Marv Albert.
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With Miller in the booth, it furthers my apparent obsession with the basketball-themed heaven-sent tunes that come from the gullet of Kevin Harlan, the Bill Russell of NBA broadcasting.
Kevin Harlan is the epitome of greatness as he successfully shapes games on TNT with his obviously perfected form of the English language.
My proof? The terms "Buckle Up!" "Oh BABY what a play!" Right BEE-TWEEN THEEE EYES!" "Flight (whoever dunked jersey number) is cleared for landing!" "He has been a FLAME-THROWER TONIGHT" and the legendary "OH Look out! Ride Em Cowboy" come to the mind of this fan.
LeBron's facial, as I've alluded to in another article regarding Harlan, is the greatest call in NBA history.
"LeBron James, with no regard for human life!"
The depth of Harlan's ability to paint a picture like Van Gogh adds to his aura in the Reggie Miller broadcasting era.
The next time one of Miller's games is going to commercial, listen to his description about either what just happened during the game, what is happening and why they went to time out, or what is being shown on the replay. Listen to his pathetic attempt to sound somewhat cool and unique. I'm sorry, Miller fans, but I wish he would've gone to Boston.
(On the Side: When Bill Walton returns to his legendary healthy self, he should sign with TNT and team up with Harlan to form the greatest duo in broadcast history, with no regard for human life.)



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