Vin Scully in a class of his own
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Vin Scully, the voice of the Los Angeles Dodgers has been calling their games for the past 60 years.
He doesnโt just call a gameโwhatโs happening, whoโs at-bat, whoโs pitchingโhe describes the players playing.
He gives you all the information necessary on themโtheir weight, height, strengths, weakness, where they were born, and where they played previously.
Heโs a one man show, which is rare in this day and age, and unlike many of this era, actually focuses on the game at hand.
After a big play, Scully time and time again has simply described the scene, then stopped to let the scene describe itself. Instead of yammering away like many other announcers, he lets the crowd noise and the jubilation and sadness expressed by the players tell the story.
He is very minimalistic.
He speaks in a dry tone, but it captivates the viewer, primarily because heโs incredibly baseball savvy.
He knows what to say, when to say it, and when not to say anything.
He never strays away from the action, never trailing off on tangents that take up a inningโs entirety.
He is a radio announcer on television.
Heโs quick, meaning in tense or celebratory situations, he perfectly sums up the scene. He doesnโt say too much; in many instances, he lets the crowd dictate whatโs happening. Many announcers go overboard, but not Vin Scully.
Born in 1927, he lived through the old dog days of summer, back when baseball was a game. He has stuck to his roots and calls games no different than he did in 1950.
Unlike many announcers of today, he loves his team.
When the Dodgers won the 1955 World Series, Scully simply announced, โLadies and gentlemen, the Dodgers are the champions of the world.โ
He was questioned later why he didnโt give an extensive, dramatic, and emotional description of the scene. Scully replied: โI would have broken down in tears if I tried to say anything more.โ
When Sandy Koufax threw a perfect game in 1965, Scully had the call: โTwo and two to Harvey Kuenn, one strike away. Sandy into his windup, hereโs the pitch: swung on and missed, a perfect game! On the scoreboard in right field it is 9:46 p.m. in the City of the Angels, Los Angeles, California, and a crowd of twenty-nine thousand one-hundred thirty nine just sitting in to see the only pitcher in baseball history to hurl four no-hit, no-run games.โ
When Hank Aaron hit his 714th home-run in 1974 to become the home-run king, Scully was there: โItโs a long drive to deep left, [Bill] Buckner to the fenceโฆ It is gone!โ He pauses for nearly 30 seconds to let the crowd have their say, then began again: โWhat a marvelous moment for baseball. What a marvelous moment for Atlanta and the state of Georgia. What a marvelous moment for the country and the world. A black man is getting a standing ovation in the Deep South for breaking a record of an all-time baseball idol. And itโs a great moment for all of us, and particularly Hank Aaron.โ
Not many announcers get to call these types of moments, but few know how to when the opportunity presents itself.
ESPNโs Dave Oโ Brien called Barry Bondsโ record-breaking 756th home-run and did so poorly.
It wasnโt so much what he said, but how he said it.
Scully, a white man, could have easily downplayed Aaronโs accomplishments, considering racism was still prevalent across the country, especially in the Deep South.
Oโ Brien, with the steroid cloud hovering over Bonds, was hesitant and called the historic moment with a substantial amount of doubt in his voice. He said, โBarry Lamar Bonds stands alone!โ, but he was clearly uncomfortable, so it didnโt have the same effect.
Joe Morgan, Oโ Brienโs colleague at ESPN and color analyst for ESPNโs Sunday Night Baseball, is Scullyโs opposite.
Unlike Scully, heโs not responsible for calling the play-by-play. But also unlike Scully, he has an ego; an inning doesnโt go by on Sunday Night Baseball without him saying โWell, I always sayโฆโ.
Even though heโs paid to do commentary, heโs very hard to listen to because the action goes by unnoticed.
In the fifth inning, heโll still be yammering on about a controversial play that happened in the second inning. His rant and ensuing argument with one of his boothmates, either Steve Phillips or Jon Miller, will take up an entire inning. At-bats will go uncalled. Hits will go uncalled.
The game is a side-show, and ESPN could care less.
Usually Morgan argues with Phillips. Miller, the competent one of the three, will usually be forced to interrupt them in order to call the game.
Even when this happens, Morgan and Phillips pick up the discussion later and Miller will once again have to shut them up.
I like Jon Miller. I think heโs a great announcer. But, with Morgan and Phillips at his side, itโs hard to tell because he doesnโt get to say much.
When Morgan, a Hall of Fame second baseman who spent the heart of his career with the Cincinnati Reds, does focus on the game or a play, heโs often wrong in his assessment.
For instance, when a player is called out at the plate when he was clearly safe, Morgan will look at the play blindly side with the umpire, though the evidence is against his conclusion.
Scully, unlike Morgan, is a professional. There are many great announcers, like the New York Yankeesโ Michael Kay, TBSโs Chip Karay and Dennis Eckersley, Baltimore Oriolesโ Gary Thorne and Buck Martinez, and the Chicago Cubsโ Len Kasper and Bob Brenly, but Scully is in a league of his own.
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