Review of the Film Chasing Mavericks Starring Gerard Butler
Iโll never forget that cover.
The cover of SURFER Magazine that arrived to my house in June of 1995. On it, a hooded, sixteen-year-old kid hovered in an unthinkably dangerous (and memorable) positionโhis arms spread eagle atop the lip of a monstrous wave at Maverickโs.
You could feel how cold and terrifying it must have been there that day. I was ten, so my imagination was vivid, and I remember trying to identify with how he must have felt. He was certainly embracing for a horrific impact. He clearly had a courage and ambition few possess. The image alone was striking, but the fact that the surfer pictured was a teenager made me wonder if I would have the courage to surf a wave like that one day. Who was he?
His name was Jay Moriarity.
On June 15, 2001, six years after that cover dropped, Jay Moriarity died in a diving accident while training in the Maldives. Eleven years later, 20th Century Fox produced a feature film about his life called Chasing Mavericks. That film premieres nationwide today, October 26th.
I attended an advance screening of Chasing Mavericks a few weeks ago, and, like most surfers approaching a feature film about surfing, I entered the theater with a nervous mixture of excitement and trepidation.
On one hand, Iโm always excited to see a new perspective on surfingโespecially one equipped with Hollywoodโs resources. On the other, thereโs always a protective instinct about surfingโs portrayal in media. We want it done โright.โ Whatever that means. But weโre especially touchy with important stories like Jayโs.
Luckily, I think this film largely succeeded. First, it broached Santa Cruz surf culture, which is a different sect of surf culture altogetherโless glamorous and clichรฉ than its Southern California counterpart, and I think it did so earnestly, even if at a surface level.
First, Itโs cold. Itโs a bit more insular. But itโs charming in its own way. The Hollywood budget also produced some gorgeous photography of Half Moon Bay. In speaking with Greg Long, a professional surfer who has a brief speaking role in the film, he had hoped for a larger swell to arrive during the filming to really do the cameras justice, but most surfers will appreciate the scenic shots.
Of course, there are a few sound bites of requisite, awkward surf-mentor-speak, but for the most part, the filmโs greatest success is that itโs not about surfing.
The film follows a driven boy from a broken home, who negotiates challenging circumstances (poverty, a single mother who struggles with alcohol abuse and an absent father) by directing his efforts towards the ocean.
Gerard Butler plays Frosty, Jayโs surrogate father and mentor figure, and Frosty is every bit the surf sensei youโd expect. One part Patrick Swayzeโs Bodhi from Point Break, a dash of Chandler from North Shore, topped off with a grizzled, NorCal edge that is uniquely Gerard Butler. Jonny Weston plays Jay Moriarity, and his rendition is eager and sincere.
One of the filmโs most charming aspects is its allusion to the โ90s, which, after all, is the time period that Jay Moriarityโs story took place. Pearl Jam, The Butthole Surfers, Mazzy Star and a familiar, grungy soundtrack combine with a few discreet fashion trends of the dayโcloth belts, baggy jeans, and flannelโwhich certainly had me channeling the dream of the โ90s during skate and surf session montages.
On an unrelated note, I think itโs high time for more โ90s nostalgia films. Filmmakers, keep โem cominโ. It was a great era.
Beyond that, it was refreshing to see appearances by professional big wave surfers like Greg Long, Peter Mel and Zach Wormhoudt. While the pro surfers donโt have an overwhelming presence in the film, Greg Long assured me that they did their best to provide useful input to make the portrayal of surfing as โauthenticโ as possible.
And authenticity is the key here. Iโm always interested to discover how accurate films based on true events and peopleโs lives are, and without knowing Jay Moriarity and the specifics of his upbringing, itโs difficult to discern the extent to which his home life, introduction to Maverickโs and mentor relationship are absolutely trueโbut that might not be the point.
The point is that Jayโs story is an inspirational one.
And the phrase โLive Like Jay,โ ย which was born in the surf community, has real meaning and has inspired a multitude of watermen to embrace the day, the ocean and their deeper ambitions. Chasing Mavericks succeeds in relating Jay Moriarityโs resilience and courage to a broader audience, which makes it a valuable addition to a short list of Hollywood surf films.
Surely, a new crop of ten-year-old kids (and hopefully some adults, too) will watch this film with wide eyes, inspired by Jayโs story, and wonder what giant waves theyโll surf in the years to come.
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