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Review of the Film Chasing Mavericks Starring Gerard Butler

Zach Weisberg
Jun 7, 2018

Iโ€™ll never forget that cover.

The cover of SURFER Magazine that arrived to my house in June of 1995. On it, a hooded, sixteen-year-old kid hovered in an unthinkably dangerous (and memorable) positionโ€”his arms spread eagle atop the lip of a monstrous wave at Maverickโ€™s.

You could feel how cold and terrifying it must have been there that day. I was ten, so my imagination was vivid, and I remember trying to identify with how he must have felt. He was certainly embracing for a horrific impact. He clearly had a courage and ambition few possess. The image alone was striking, but the fact that the surfer pictured was a teenager made me wonder if I would have the courage to surf a wave like that one day. Who was he?

His name was Jay Moriarity.

On June 15, 2001, six years after that cover dropped, Jay Moriarity died in a diving accident while training in the Maldives. Eleven years later, 20th Century Fox produced a feature film about his life called Chasing Mavericks. That film premieres nationwide today, October 26th.

I attended an advance screening of Chasing Mavericks a few weeks ago, and, like most surfers approaching a feature film about surfing, I entered the theater with a nervous mixture of excitement and trepidation.

On one hand, Iโ€™m always excited to see a new perspective on surfingโ€”especially one equipped with Hollywoodโ€™s resources. On the other, thereโ€™s always a protective instinct about surfingโ€™s portrayal in media. We want it done โ€œright.โ€ Whatever that means. But weโ€™re especially touchy with important stories like Jayโ€™s.

Luckily, I think this film largely succeeded. First, it broached Santa Cruz surf culture, which is a different sect of surf culture altogetherโ€”less glamorous and clichรฉ than its Southern California counterpart, and I think it did so earnestly, even if at a surface level.

First, Itโ€™s cold. Itโ€™s a bit more insular. But itโ€™s charming in its own way. The Hollywood budget also produced some gorgeous photography of Half Moon Bay. In speaking with Greg Long, a professional surfer who has a brief speaking role in the film, he had hoped for a larger swell to arrive during the filming to really do the cameras justice, but most surfers will appreciate the scenic shots.

Of course, there are a few sound bites of requisite, awkward surf-mentor-speak, but for the most part, the filmโ€™s greatest success is that itโ€™s not about surfing.

The film follows a driven boy from a broken home, who negotiates challenging circumstances (poverty, a single mother who struggles with alcohol abuse and an absent father) by directing his efforts towards the ocean.

Gerard Butler plays Frosty, Jayโ€™s surrogate father and mentor figure, and Frosty is every bit the surf sensei youโ€™d expect. One part Patrick Swayzeโ€™s Bodhi from Point Break, a dash of Chandler from North Shore, topped off with a grizzled, NorCal edge that is uniquely Gerard Butler. Jonny Weston plays Jay Moriarity, and his rendition is eager and sincere.

One of the filmโ€™s most charming aspects is its allusion to the โ€˜90s, which, after all, is the time period that Jay Moriarityโ€™s story took place. Pearl Jam, The Butthole Surfers, Mazzy Star and a familiar, grungy soundtrack combine with a few discreet fashion trends of the dayโ€”cloth belts, baggy jeans, and flannelโ€”which certainly had me channeling the dream of the โ€˜90s during skate and surf session montages.

On an unrelated note, I think itโ€™s high time for more โ€˜90s nostalgia films. Filmmakers, keep โ€˜em cominโ€™. It was a great era.

Beyond that, it was refreshing to see appearances by professional big wave surfers like Greg Long, Peter Mel and Zach Wormhoudt. While the pro surfers donโ€™t have an overwhelming presence in the film, Greg Long assured me that they did their best to provide useful input to make the portrayal of surfing as โ€œauthenticโ€ as possible.

And authenticity is the key here. Iโ€™m always interested to discover how accurate films based on true events and peopleโ€™s lives are, and without knowing Jay Moriarity and the specifics of his upbringing, itโ€™s difficult to discern the extent to which his home life, introduction to Maverickโ€™s and mentor relationship are absolutely trueโ€”but that might not be the point.

The point is that Jayโ€™s story is an inspirational one.

And the phrase โ€œLive Like Jay,โ€ ย which was born in the surf community, has real meaning and has inspired a multitude of watermen to embrace the day, the ocean and their deeper ambitions. Chasing Mavericks succeeds in relating Jay Moriarityโ€™s resilience and courage to a broader audience, which makes it a valuable addition to a short list of Hollywood surf films.

Surely, a new crop of ten-year-old kids (and hopefully some adults, too) will watch this film with wide eyes, inspired by Jayโ€™s story, and wonder what giant waves theyโ€™ll surf in the years to come.